Today I'll talk a bit about the 'behind-the-scenes' of my business Märchenhaftes Sticken. Although you can now find quite a few of these stories on the world wide web, there are still people out there who will be surprised to read that my days are not entirely spend embroidering beautiful things :). Seriously, I am not embroidering marvellous pieces most days. Instead, I usually see my Acer Aspire V more than I see my needles and threads. Now, don't start to feel sorry for me, because the other tasks that make up Märchenhaftes Sticken are mostly fun too! I'll promise. Just read on.
Take last Saturday for instance. We checked out the Paradies Hof in Wessobrunn-Forst. A lovely farm bistro in a gorgeous setting. They run a crafts market on Sunday the 21st of May called 'Bunter Markt'. I've never before presented my work at a local crafts market. However, I figured that it might be a cost-effective way to reach the locals. You see, my 'problem' is that I am very well able to reach the world through my website, this blog, Instagram and the like. BUT, I am not faring so well with local support for my business. This is largely due to the fact that my local people are not computer savy. Unfortunately, newspaper and magazine ads are quite pricey (think hundreds of Euros). And, running the risk of dispelling another myth, you don't make the kind of figures with a small embroidery business to be able to pay for such pricey marketing strategies :). Ten Euros for a table at the Bunter Markt is much more doable. Added bonus: I will meet other local makers! And, since the farm bistro prides itself on baking delicious cakes from local ingredients, we were obliged to try them too... Very hard to be me indeed.
Since I've never done anything like this, I need to prepare for my stand. Thanks to my lovely and inspiring fellow embroidery makers on Instagram, I have a fairly good idea what makes an attractive booth. So, apart from making more beaded pendants, I've asked my farmer landlord if he had some old drawers for me. Currently, they are sitting on a towel in my kitchen after they had a thorough encounter with a water hose :). Those of you who have come to visit me here at my studio on the Lötschmüller Farmstead, won't be surprised that he was able to turn up quite so many assorted drawers in such a short amount of time... Farmer Sepp Maier is a huge collector of anything and everything. And since he lives on a large farm, there is always an empty space which just shouts to be filled with another precious piece!
And then there is the amount of time I spend on my 'prevent-a-stitcher's-bum-program'. I am not sure the program entirely works as planned... But I love to be outdoors, clear my head, give my hands a rest and exercise the rest of me! Today we walked the Klosterweiherweg near Bernried. Apart from passing by these beautiful artificial fish ponds dating back to medieval times, we read some inspiring texts along the way. They were beautifully presented on stelae marking points of interest. Invigorated, I can now write this blog, compile my newsletter, think on what to do with my drawers, compile a list of places where I am allowed to lay out my new flyer, etc. Happy stitching!
Oh dear, I am a bit late, ain't I? That's because I spent all day packaging some lovely new goldwork threads! You will find a super fine gilt and silver plated twist, a gilt textured thread not unlike check thread, more gilt shapes (to make wheat ears and the like) and silk wrapped purl in my webshop.
Yesterday, I attended a bead embroidery workshop at ArtTextil in Dachau. We made quick and easy pendants and rings with the talented Julia Schmid. I really enjoyed myself. Upon coming home, I ordered some sparkly beads and cabochons to make some more!
That's all from me for this week. Just a little blurb in between some unforeseen circumstances. Can't promise to have a blog ready next Monday, but I am definitely back the week thereafter! Take care.
Today we'll end our tour of the Regensburger Domschatz with three splendid paraments stitched in the 19th century. Generally speaking, I am not a huge fan of these 'newer' paraments as they tend to become too simple and almost hasty in their stitching techniques. This is especially true of paraments of the second half of the 20th century. However, the three pieces you are about to get acquainted with are still proof of high craftsmanship.
The first piece is an antependium or altar cloth entirely stitched with tiny seed beads! Do have a look at the enlargement of Lucas's head and you'll see what I mean. The piece was stitched in Regensburg around 1890 and designed by Dean Georg Dengler (1839-1896). Dengler designed various pieces and saved many pieces of Christian art for future generations to admire.
The largest piece in the collection is part of a throne baldachin. It was made in Southern Germany at the beginning of the 19th century. It contains, however, older parts. On red velvet, large floral motives in gold and silver threads are appliqued. The exotic flowers are filled with basket weaving patterns, whereas the stems and outlines are stitched with the guimped couching technique. The piece was donated by Archbishop Karl Theodor von Dalberg (1744-1817). A true child of his time, he was not only a church man, but also a Prince-Primate and a Grand Duke.
The last sparkly piece I'll show you is a cope worked in goldwork and silk embroidery. It was made in Southern Germany in 1871/73 and donated by Bishop Ignatius von Senestrey (1818-1906).
That's the end of our tour through the paraments of the Regensburger Domschatz. I hope you liked seeing these ancient splendours of embroidery craftsmanship. Next week I'll show you my embroidered version of Millie Marotta's fox. Fingers crossed I'll finish it on time...
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