Last week I ran my last five-day embroidery workshop of the year. No worries, I'll run five more next year and you can find the dates here. Due to my trip to China, I had to move some students to this new date. I thus ended up with one person doing crewel embroidery, one person doing canvas and one person doing goldwork. And that was actually really nice and varied! Let's have a look at what the ladies worked on. Unfortunately, my good camera gave up the ghost in China, so I had to take these pictures with my phone. Today my good camera was returned to me all cleaned and with a brand new diaphragm. Can't wait to shoot with it again!

First up is Elena from Switzerland. She worked a design from an older RSN book. As she is originally from Russia, the copy of the book is in Russian too. Luckily for me, the names and sizes of the gold threads were not being translated. In the original design, the petals and leaves are coloured in with aquarelle pencils. We opted for silk appliques instead. Unfortunately, the picture does not really do justice to the very elegant feel of this design. I can't wait to see it when it is finished!

Anja L. worked a crewel embroidery design from a book by Hazel Blomkamp 'Crewel Twists'. It was her first encounter with embroidery since primary school. Getting to grips with the fact that this type of embroidery is not very productive, took some time. But she persisted and I think we have our latest convert! It will be lovely to see Anja develop her own style when she gains confidence in her own stitching abilities.

And then there was Anja D. from the Netherlands. She worked on her first canvas piece and really loved it. And so did we all! Once completely stitched, the beech trees will form a stark contrast with the beautiful autumn background. Instead of blending each colour shade in the needle, we opted for the variegated threads by House of Embroidery. This brand just happened to have such beautiful autumny colour combinations that it would have been a waste of time not to use them. Knowing Anja, we will soon see the finished piece appear in the student gallery (hint: her lovely blackwork woodpeckers are already up there!).

And last but not least, you can watch my talk on historical embroideries I held at the National Silk Museum last month. As the whole talk is being translated into Chinese, I really needed to stick to my text so as not to throw off my lovely translator Clover. Pretty quickly we established a good rhythm and the whole presentation went rather smoothly. Enjoy!

For those of you who didn't scroll to the bottom of last week's blog post or who missed the post altogether, I am going to talk a bit more about my new online embroidery classes. What will you get for your money and how do they work? But first things first. Currently, there are four online classes you can choose from: Goldwork, Crewel, Appenzell fine whitework and Schwalm embroidery (also a whitework technique, but this time counted). Below is a short video with a clip from each online class so you can really get a sense of what it is all about.

Apart from eight or nine instruction videos (depending on the technique you have chosen) you also receive a material pack with fabric, threads and needles. The shipping cost is already included in the class fee :). Don't forget to provide shipping details when booking a class!

Once you have placed your order and paid for a class, I will start assembling your material pack. I will also transfer the design for you onto the fabric. I will either use an aqua trick marker (Appenzell, Crewel & Schwalm) or a pencil (Goldwork). I will usually ship it the same day. Delivery times depend on where you are in the world, but as the kits are small and can be 'disguised' as a letter, it will be quick.

Immediately after checkout, you will also receive a download link for a PDF hand-out. The hand-out contains the access information for the instructional videos. But that's not all! You will also find useful background information and free online resources, a material list, the pattern and a stitch plan. So even if it takes a little while for your material to arrive, you have plenty to explore!

Once the material pack arrives, you can work through the videos at your own pace. Presently, I can guarantee access until 15-09-2019. That's when my Vimeo plan is up for renewal. Depending on how well these online classes are received, you might have access for much, much longer (fingers crossed!).

If you have questions or you get stuck during stitching the project, you can always contact me through email. And once you have finished the piece, I would love to receive a picture!

I hope this blog post has answered the questions you might have had regarding my online classes. If things are still unclear, please do leave a comment and I'll answer as soon as I can. You can book your online class here.

Happy Stitching!

Jetlagged and with a nasty cold, but full of wonderful stories about my recent teaching trip to China, I sluggishly slump behind my laptop. To add insult to injury, my dearest coffee machine died on me when we got home from Beijing on Saturday night. I nearly killed someone this morning who carelessly suggested that I could easily survive on instant coffee until my beloved machine gets repaired... Let's talk of happier things, shall we!?

Packing my 24 days in China into one blog post might be a little too much :). Instead, I will write several posts in the coming weeks on my adventures in the far East. We'll start today with the actual teaching. I arrived a few days early in Shanghai and was picked up by Edith, a textile enthusiast from Hong Kong, who had organised the workshop. We immediately got on really well! We decided to take the bus to Hangzhou; my first taste of the excellent public transport services in China. After being dropped off in the centre of Hangzhou, we took a taxi to the hotel situated near the famous West Lake. As Bad Bayersoien - Hangzhou takes nearly 24 hours, I was ready to slip between the covers in my lovely hotel room. 

After a delicious breakfast the next morning, we crossed the street to visit the National Silk Museum. The museum is quite large with several buildings housing different exhibitions related to silk. The buildings sit in a beautifully landscaped park. Exploring the ground floor of the silk road exhibition alone took me about two hours! In the afternoon, I decided to take a walk and explore the famous West Lake. As it was the weekend, many Chinese holiday makers had the same idea. The place is famous for getting your wedding pictures taken and the whole area is an important inland holiday destination. I ended up visiting a Buddhist temple, the tombs of some revolutionaries and ended with Jasmin tea overlooking the lake. As there where not many other Westerners, the Chinese looked upon me with great curiosity :).

On Sunday, we prepped the classroom for the workshop starting on Monday. I met my assistant and translator Clover who has studied weaving in London. She did a great job translating my English into Chinese during the workshop! And in between, we ate :). Not only breakfast was a treat, the local eateries were fabulous too! Me using chopsticks for the first time was hilarious and I must confess that I don't miss them...

On Monday, the teaching started. The group of students was very divers. I had museum staff, art teachers, fashion designers and even two craftsmen from Tibet. They were all very eager to start!

Although the official classroom was in the basement, we decided to use the lovely weather and stitched outside a lot. Sitting in front of an old sericulture farm was a favourite with all of us until the mosquitos found out about it too... We strung a line and hung up the result of the previous day to talk about the experience. I was very impressed with my students as most of them had finished their projects overnight! However, getting them to critique their work publicly or express their experiences with the particular embroidery technique, wasn't easy.

Other favourite stitching spots were the cafe...

...and the gallery of the fashion building. Those large windows were fantastic.

When teaching the goldwork leaf on Thursday, I discovered a mistake with the scale of the leaf. Oopsy! Time for a last-minute change: add some chipping to the original design and all was well again. It shows that no matter how well you prepare, mistakes can always happen. Adapt and carry on! We ended the day with a Chinese high-tea organised by the students. They had brought all sorts of delicacies for me to try. Yummy!

The schedule on Friday and Saturday changed a little. We had the opportunity to pair my talk on medieval embroidery with that of a local master embroiderer on Friday. We had all hoped that she would talk on the techniques she used in her embroideries or the thought process that went into them. Unfortunately, she didn't. It was more a sales talk. However, some of her work was really nice and unusual. It showed that she also experienced difficulties with branding her work as art.

My talk went really well. The museum did record it on video and as soon as I know where it is available, I will let you know. If it does not become available, I will put up the original presentation and let you know where to find that. However, it is much more fun to hear a Dutch person talk in English and have that translated into Chinese by Clover :).

As one afternoon of the original five-day workshop was high jacked by the presentations, we decided to meet again on Saturday morning (in the original plan I would have given my presentation on Saturday). I was completely blown away by the fact that quite a few students had completed all four projects! That's the best praise a teacher can get. It shows that they really enjoyed themselves and loved the tasks I had set them. Those six days were immensely gratifying and I really had a blast! Seeing people figuring things out and going on helping others is such a great experience. I really hope they can implement the things they have learned in one way or the other.

If you would like to work one or several of the projects I taught in China, all four are now available as online classes. Each project comes with a PDF download detailing how to get access to the instruction video. Furthermore, you'll receive a materials pack with everything needed to complete the project (fabric, threads and needles). Shipping costs are already included in the cost of the class. Choose from crewel embroidery, Schwalm embroidery, Appenzell fine whitework or goldwork embroidery. I truly hope that this format answers the prayers of those who have reminded me over the past years that they would love to do a class with me, but simply live too far away. If the new format proves to be popular, I will definitely come up with further classes! But for now, I am going to make myself a litre of bedtime tea in the hope that my jetlag can be persuaded to not wake me up at 3:00 am...