For my upcoming teaching trip to China, I was asked to demonstrate several European embroidery techniques. Finding the techniques was not a problem, after all we have a rather rich embroidery tradition. But what to do with the stitched samples? And how to manage pace in a medium-sized diverse group of students? I came up with the idea of making a band sampler or a 'pronkrol' (pronken = to show off) as they are called in Dutch. This is a type of band sampler which became popular in the late 19th and early 20th century and was worked at private boarding schools for girls. As French was the preferred language of the well-to-do, these band samplers are often called 'Souvenir de ma Jeunesse'.
What will my students learn? They will start with making a pomegranate with a few key embroidery stitches used in Jacobean crewel embroidery. Then they will explore Schwalm embroidery. This is a drawn-thread whitework technique from the Hessian region of Germany. Students will fill a classic tulip design with tulip patterns. Next up is a monogram using the fine whitework technique from Appenzell in Switzerland. And last but not least, they will learn couching, padding and cutwork to produce a goldwork leaf.
Each technique will be separated by a small linen band sporting the name of the technique in cross stitch. After all, the humble cross stitch plays a very significant role in European embroidery. Both past and present. And these bands are great for students to work on on their own when I am not immediately available to solve a problem. The finished pronkrol will serve the same purpose as the antique ones did: show off a student's work. In the old days, the pronkrol would also inform the prospective mother-in-law about the housewife qualities of the bride-to-be...
This is what the finished pronkrol will look like:
Would you like to join me for this five-day workshop at the National Silk Museum in Hangzhou, China? No problem! The museum loves meeting new people from all over the globe. The workshop fee is c. €640 with an additional material fee of c. €45. I will be teaching in English and this will be translated into Chinese. In addition, I can provide explanations in German and Dutch. Each day will start with a short lecture on the technique and will end with a show and tell. During those five days, we will also visit the museum's exhibitions and on Saturday I will lecture on my St. Laurence goldwork embroidery.
For those who would love to have free access to the museum, hear the lectures and interact with fellow embroidery enthusiasts, but don't want to work the pronkrol, we can have two people sitting in on the workshop, but working on their own embroidery pieces. These people don't pay the workshop fee nor the material fee.
For either great option, you will need to make your own travel arrangements. Please contact Edith Cheung directly for further information and booking. She can also point you to hotels for your stay. Do follow the above link to see some very pretty pictures of both the museum and its collection comprising of ancient Chinese silks, textiles made with other fibres, and costumes from all over the world.
I am very much looking forward to this great adventure. Not only will I be passing on time-honoured knowledge to new students, but I will also have the opportunity to learn from the Chinese about their magnificent embroidery culture!
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Jessica M. Grimm
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