The coming weeks I am going to show you some of the new projects for next year. Up today is a stumpwork summer sampler I will be teaching at ArtTextil in July. The new program will be up on their website in the next few weeks.
This piece was inspired by a cross stitch kit I bought at Nadel & Faden in Osnabrück. It is called Patchwork Ete from the series Jardin Prive by Nathalie Cichon. You can find her designs through her own website or through Stickkunst, where I got mine. Below is my stitched version of her cross stitch kit.
Next week I am going to show you some adorable mice on a box. Stay tuned and enjoy the last days of the year!
Many people visited the opening, with mulled wine and mince pies, of our Advent window yesterday. During the four weeks of Advent, each evening a decorated window is opened somewhere in Bad Bayersoien. Although refreshments are only served at openings, you can visit the windows until the 10th of January.
This year, my window also contains a star, two new sheep and an angel. I hope to add a few new figures each year. Ox, donkey and at least one camel for the Magi are next on my list. It was lovely to hear all the praise for my husband's designing skills and my stitching.
I apologise for the poor photo quality; the window is extremely difficult to capture. Above you can see the Holy Family stitched in a combination of traditional Schwalm white work techniques and goldwork embroidery. If you click 'Nativity' in the categories list on the right, you'll see past blog entries on the making of these figures. They are easy to stitch and the technique can be used to stitch a whole variety of figures. Easter Bunny window anyone?
This will be my last blog entry for 2015. Don't worry, I'll be back in 2016!
It has been a good year for me, my husband and our two dear cats. The later wracked a few things in the house and killed off a large proportion of the local fauna. Their raffinesse at combining mischief with looking adorable is unsurpassed. Me and my husband very much enjoy thinking up new embroidery designs. You will have the pleasure of seeing two new ones in the first blog post for 2016!
This year I made new friends, both personal and through stitching. I very much enjoy the interaction with you, dear reader, through my blog, via email and when I teach. I treasure these pleasurable encounters. After all, blessed memories are the greatest treasure of all, don't you think?
Merry Christmas & Happy New Year!
My parents love to visit flea markets and have made some great finds regarding needlework. This time, my mum bought a little black silk velvet clutch bag covered in goldwork and beads. Let's have a closer look!
Personally, I think this bag has been made by a needlework enthusiast in the 1920s-1930s. Probably in France or Belgium. I don't really like it, to be honest. There is too much wrong with the design. Let me show you what I mean:
Firstly, the pearl purl for the branches of the floral shapes from which the beads suspend, is too tiny. It is comparable to a #1. The design lines sometimes get lost due to the thicker bright check bullion of the background infill partly covering. Besides forming the branches, it also encircles the round shapes covered with rough purl. The two lower shapes sit on the end of a branch and the stretch of pearl purl forms the branch and encircles the shape in one continuous line. The two upper shapes are not on the end of branches and thus the pearl purl only goes around them and the ends can't be cleverly tucked away against a branch.
The four round shapes covered with vertical pieces of rough purl are padded. The padding is firm and flattened at the top. The rough purl is about a #6.
And then there are these odd white beads. They feel cold to the touch and are thus probably porcelain or glass. The shapes are irregular. Some are molten together and cleverly placed at the end of a branch. Unfortunately, our stitcher lacked three of these oddities to make the design balanced. The upper left three branches don't have these molten together beads. The thick white thread with which the beads were sewn down, is very noticeable.
Each bead is encircled in a heavy bright check bullion. Then the whole background has been covered in more of this bright check bullion. Most pieces were sewn down as a 'lazy daisy'; a single chain stitch anchored. To fill in remaining gaps, single pieces of bullion were sewn down as well.
As the lining had come loose in places, I decided to carefully take it back some more to learn a bit more about the embroidery. You can see that the four rough purl shapes have been padded with string. Interestingly, the stitcher 'walked' the string padding all the way across the back of the embroidery! And another curiosity, all the padding and stitching has been done with the same thick white sewing thread. The stitcher used knots too... And to secure it all, the back of the embroidery has been covered with a layer of glue. Now all gone brittle, of course.
To construct the little bag, the embroidery was mounted over grey card board. The black velvet was stitched onto the cardboard with large irregular stitches in black sewing thread. Strangely, there is a layer of wadding. But not where you and I would probably have put it. The layer of wadding sits at the BACK of the cardboard between the cardboard and the lining. It was thus not used to even out the irregular back of the embroidery.
As said before, I don't like the design. We have seen that the stitching isn't superb. But that said, it is a nice piece of homemade embroidery. One can speculate about the stitcher. Where were the materials obtained? Was it stitched for personal use or as a gift? Did she (or he?) see the design in a magazine and adapted it to suit the materials available? Whatever the case, people have taken good care of this piece. The bag has been clearly used, but the gold threads are hardly tarnished. It was probably stowed away between sheets of paper in a box. And that is how I will store it as well. It will become one of these little treasures of past 'busy hands' that I can show my students whilst they create their own treasures.
By the way: I have been blogging for a whole year now! Thank you all for reading my embroidery musings. Next week you'll see my finished embroidered nativity. See you next week!
Hello world! I am back from a lovely trip to London and Salisbury, our former place of residence. It was great to hook up with friends and continue where we left off. We also greatly enjoyed the advent service 'from darkness to light' in Salisbury cathedral. And when we returned on Monday evening for the service in honour of St. Andrew, I was allowed to take a close-up look at the altar frontispiece. It was the same one I had seen several years before being conserved at the Royal School of Needlework studio. What a treat! Alas, I didn't bring my camera...
And then my shopping spray in London... Ah, don't you love the London Bead Company opposite Kentish Town tube station? I could happily live there. However, I was met by some odd remarks from my husband. The 'Don't you have enough stash by now?' and the 'What project are you planning with these? are really silly, don't you think? We embroiderers never ever have enough stash. It is simply impossible. And no we don't need to have a specific project in mind when we buy. I suggested counselling to him.
Among the treasures in the pictures above are Waterlilies by Caron. A hand dyed 12 ply spun silk in the most gorgeous colour combinations. I also invested in some skeins Impressions by Caron. This is a hand dyed 50% wool and 50% silk yarn. Very nice for all sorts of canvas work. And last but not least, silken chenille from the Thread Gatherer. A described this to friends as being a sort of furry caterpillar. You can tell how much imagination people have by the look on their face as you talk to them.
That was of course not all. One never has enough beads. And now that the London Bead Company carry their own brand of beads you haven't previously tried before, you definitely need to invest in some of those too. Equally, one can always put DMC Diamant to good use. And one needs fabric to stitch onto as well. How nice that Silk Society on Berwick Street exists!
I will use my Christmas break to come up with some lovely new designs and workshops that, no doubt, will feature some of the treasures mentioned above. But before that, I urgently need to finish a star and two more sheep. They are part of my nativity scene that will hang in front of my kitchen window. As we are taking part in the village advent calendar route, the window needs to be operational on the 20th. Will the star and sheep make it on time? Find out next week!
Jessica M. Grimm
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