Here in Bavaria, the first snow has fallen and everything is dusted in white. Lovely to watch from the comfort of my warm and cosy home :). The view from my studio windows over the lake is amazing. Especially as the swan couple have not yet migrated to the Lech reservoir which will not freeze over in the midst of winter. The swans were recently joined by some funny great crested grebes. This is the perfect time of year to enjoy some extra guilt-free embroidery time. After all, you don't miss out on any warm weather and there is nothing better to do in the garden either :). And I have the perfect snow inspired patterns for you!
First up is my Winter Snowman, the second pattern in my petite needlepoint series (you can read more about the first pattern here). This cute snowman is stitched with beautiful hand-dyed variegated silk threads by House of Embroidery on natural 40 count Zweigart linen. This pattern explores seven different needlepoint filling stitches, whilst also introducing you to some surface embroidery and simple beading. The cherry on the cake is, in this case, a charming enamel carrot from Susan Clarke Originals. Your kit comes with fabric, all the threads, all the beads, carrot charm and needles. Upon purchase, you are given a download link for the instructions (which come in either English, German or Dutch). The Winter Snowman embroidery kit costs €30 and this INCLUDES worldwide shipping. In order to be able to ship cheaply and quickly to you, I omit fancy packaging. That way I can take advantage of a special worldwide flat shipping rate which applies to padded envelopes only. And since this does not count as a parcel, customs is not really interested in them either :).
For those of you who live close enough to my Bavarian embroidery paradise: do come and join me for a winter workshop in which we will stitch the needlepoint snowman. The workshops are held on Tuesday the 14th of January and on Saturday the 25th of January. You can book your place here.
My second embroidery pattern inspired by snow is a series of cross-stitch snowflakes. Or at least I think of them as snowflakes. However, as my ever-helpful husband pointed out, snowflakes have only six dendrites and these folksy patterns have eight. He thinks they are poinsettias instead of snowflakes. I just like them :). My kitchen windows were in need of some new decoration. And thanks to FiberTalk, linen banding is all the rage at the moment. However, I don't like to make things that gather dust; my hobby is embroidery, not cleaning :). BUT, I do like linen banding! So I decided to stitch these snowflakes/poinsettias onto pretty Vaupel & Heilenbeck 28 ct linen banding. If you follow the link, you can buy directly from these traditional high-quality German producers. They have a huge array of different linen bands and their website is in English.
For my window treatment, I used a vintage variegated DMC stranded cotton. The label says it is number 91. I embroidered one of the bands with three strands as that worked best on this 28 count linen. However, I did not have enough of the floss to do that with the second band too. Instead, I used only two strands. And it turned out fine too :). You can find this FREE cross-stitch pattern in the download section of my webshop! Single snowflakes/poinsettias would be lovely as ornaments for your Christmas tree!
You will probably have seen on the news that we experience heavy snowfall in the Alps. So far, my village has had about 50cm of snow with more to come over the next days. Perfect weather to stay indoors and do a bit of stitching :)! For instance with my free embroidery pattern graphed from the Christmas present I gave myself this year.
When I was in the Netherlands shortly before Christmas, I and my parents stumbled upon a lovely Middle Eastern shop in Utrecht. They mainly sell ceramics, but they also have a rather large collection of textiles. Among the latter; several embroidered items of clothing and cushion covers. I bought a dress showing Fallahi or Palestinian embroidery. For those of you living in the Netherlands: the name of the shop is 'Samira' and you'll find them at Oude Gracht 209. The friendly Egyptian man running the store is happy for you to come in to see the textiles on display. They also have a website with many pictures of old Bedouin dresses.
Here you see the front and the back of the dress. According to the seller, this dress comes from the Bedouin living in the Sinai dessert. This is confirmed by the seam sporting bands of slanted tent stitches. Dresses like these always tell a story...
Firstly, the dress has been patched together from many pieces. Sometimes embroidered pieces have been sewn onto the background cloth (as is the case for the collar you see pictured above) or...
...embroidered pattern pieces have been sewn into the dress (as is the case for the sleeves you see pictured above).
Furthermore, the dress has been patched up in many, many places. You can also see in the picture above that the cross stitches are worked on a good quality cotton satin. Not at all easy to count! And consequently the embroiderer made many mistakes in the geometric patterns. I've corrected this in the graphs as it would probably not appeal to the modern embroiderer with her even weave linens :). However, there is always a marked mistake in these embroideries as only God is faultless.
Why is this dress patched together the way it is? Firstly, it would take a Bedouin woman about three years to embroider a festive dress like this. Her days are filled with many household tasks and thus she would only have limited time to embroider. Consequently, it is normal that wear and tear would be repaired as best as possible. But what could she do when her life changed dramatically? Brides and married women would wear dresses embroidered with shades of red. Widowed women would use dark blue. And widows who would like to marry again would use a red collar. Once re-married, she would stitch reddish accents on top of the blue. Here we thus have the dress of a widowed woman seeking to re-marry. A very similar dress is depicted on page 40 of the book: 'Stickereien für 1001 Nacht' (Embroideries for 1001 nights) by Anna Dolanyi from 1989, ISBN 3-473-42427-7.
What else can we learn from this lovely piece of old embroidery? Well, the wearer was probably right-handed as the right sleeve shows much more wear and tear than the left one. Furthermore, I think the woman had a baby or small child on her hip. The collar has been torn and this would typically happen when a child grasps the collar when it does not want to be put down.
For the PDF-pattern I have chosen DMC stranded cotton colours closest resembling the originals. However, in many cases the original colours are much brighter than their modern equivalents. You can use the patterns as they are and recreate parts of the collar, sleeve and blue panels. Furthermore, I imagine that especially the blue panel patterns would look lovely when stitched using the beautiful variegated threads made by House of Embroidery. How about stitching a cushion with Palestinian patterns using fair trade embroidery yarn from South-Africa? That's ethnic embroidery at its finest! You'll find House of Embroidery stranded cotton and perle in my webshop.
Last week, I worked on a fun commission: restoring an antique towel cover. This particular piece is over a hundred years old and has been in the owner's family from the beginning. The cover sports typical symbols known from Dutch and German cross stitch samplers: vases with flowers, pomegranates, peacocks and women in folk costume. The embroidery was executed with cotton perle #5 in only six colours: pale yellow, orange, red, light blue, medium blue and dark blue. Whilst the blue threads are still in perfect condition, the red and orange have completely gone and the yellow has gone in some places too. A stark example of the influence of a particular dye on thread survival!
The fabric is a fine closely woven linen measuring 59 cm from selvedge to selvedge. Peculiarly, the selvedge is still perfect on the right, but starts to fray on the left. Any thoughts on this?
Since the pattern is quite fun and I know that there a cross stitch and sampler fans among my readers, I've transcribed the pattern and offer it as a free download here. Note: the colours stated in the pattern are not exactly the original colours. Rather they are a red, orange, yellow and three blues in Anchor stranded cotton. I mended this sampler using antique threads made by DMC and Schürer. The exact colours were not or no longer available from either DMC or Anchor.
Have fun! And I hope to see you this weekend at the Lichtmessmarkt in Rottach-Egern, Tegernsee!
P.S. just to add to the 'leaving a knot on the back' debate: the knots were the only things remaining when it came to the red and orange threads :)
Yup, it is true: I have arrived in the modern area too. It took me years. But when I heard that Fairphone makes smart phones that last, are repairable and don't use blood minerals; I ordered one. So far, I have used it to download (and use!) a 5K running app, Instagram, WhatsApp with my family, use Google for directions and information AND made the very occasional phone call :). Still much prefer my Ipad and Laptop... Maybe I should seek professional help? Pondering this option, I did make my Fairphone a cozy home to live in.
On Zweigart Newcastle natural coloured 40ct linen, I outlined the bird with chainstitch using a #12 variegated House of Embroidery perle colour Grapes C. Then I stitched partial buttonhole wheels for the feathers on the tail and the wing. I added straight stitches for the feet and the beak and attached some blue beads along the upper-edge of the wing. From the back, I withdrew every fourth thread in both directions and then added a Schwalm filling stitch called 'Gefieder'. The lettering was stitched using stem stitch. To make my 'phone home' a bit sturdier, I added wadding and a sheet of template plastic. The seams were then pimped with knotted pearl stitch. So far, my phone seems to be pretty comfy in her new home!
I've asked my very talented husband to make a nice clean digital drawing of my scribbled birdy pattern. You can download it at the end of this article. Apart from using it as I did in a Schwalm embroidery way (finished design including lettering H 55mm), there is tons of other possibilities. How about stitching it monochrome on a piece of felt? Or applique with a few simple stitches for embellishment? Surprise me!
Next up is another #broderibox project using a design of a Chlamydosaurus by Millie Marotta. This amazing creature can impress by unfolding his neck frill. However, it can only do so in opening its mouth widely. The bones in the frill are extensions of the hyoid or tongue bone. Isn't nature amazing?! The lovely people of Nordic Needle had put in a glow-in-the-dark thread made by Rainbow Gallery. I made sure to add it to every canvas stitch I used on the chlamydosaurus (it is the white thread you see). And it glows beautifully at night! Unfortunately, it doesn't translate well in a picture. You have to take my word for it.
Last finish for today: the Floral Pomander by Hazel Blomkamp. I really enjoyed this project with all the little flowery scenes using simple embroidery stitches and tiny beads. However, the instructions were a bit messy with tiny pictures of the finished panels. And piecing the pomander together was a little fiddley. That said, it makes a great project if you like miniature embroidery, beads and a different way of finishing your embroidery. Oh, and thanks to the dried lavender mixed in with the toy stuffing, it is my best smelling project ever :)!
Jessica M. Grimm
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