Strawberry Fayre: inner Hearts
I've continued work on Strawberry Fayre and have finished the first of the four inner hearts. The stitching is largely the same as for the front and the back heart. As I really did not like the way the picots under the strawberries had turned out on the front heart, I swapped threads. The instructions tell you to use a stranded variegated spun silk (Gumnut Yarns 'Stars'). This thread is far too fluffy to make a nicely defined stitch. As a result, my picots turned quite fizzy. Strangely enough, the picots in the Inspirations pictures are sharply defined... Another hint that the threads listed in the instructions might not have been the ones used by Carolyn Pearce :). As I wanted better picots, I looked for a thread less fluffy and with a tighter twist. So here are my new picots using House of Embroidery #12 perle 'bush'. Much better indeed!
$Unfortunately, I ran out of the green Güttermann Sulky thread. Although I was able to substitute it with a thread from my stash, I wasn't a happy bunny. Reading the comments on my Instagram account, I am not the only one who has run out. I don't think this is acceptable for a kit priced at €138 or $170. So far, I only had good experiences with kits from Inspirations. I stitched my needlecase 'Cottage Garden' and 'Home Sweet Home' with the original kits and had no problems. My issues with Strawberry Fayre, and the solutions I have started to implement, have given me the confidence that I will be able to stitch future projects from Inspirations using my own stash!
Seeing today's blog post on real thread cards over on Mary Corbet's Needle 'n Thread combined with a recent enquiry by one of my readers, I am pondering making real thread cards for the Heathway Milano crewel wool I sell. Since there are now 33 fabulous colour families which each have nine lovely shades, this is going to be a huge undertaking. So I'd like to ask if there are other readers potentially interested in these thread cards. I am thinking of wrapping the nine shades of a colour family around a strip of card and then glueing several strips onto an A4 page. Two pages back-to-back in a pocket and the pockets into a sturdy cardboard file. How does that sound? Please share your thoughts below!
For those of you who missed last week's post on the new Heathway Milano crewelwool colour families, you can find a free pattern of a Russian doll here. And don't forget, if you like what you read, please consider making a donation using the PayPal button on the right :)!
With the snowflakes gently falling in front of my studio windows, I decided to crack on with Carolyn Pearce's Strawberry Fayre. Next up were the small pink flowers. The instructions advice to only use the lighter parts of a variegated stranded cotton (Hollyhock by Cottage Garden Threads). Unfortunately, these are pre-cut threads and the lighter part is the one-third in the middle... What a waste! However, I can't just use the whole thread, as the other parts are far too dark and of a non-compatible shade. I decided to save the Hollyhock thread for another day and substitute for House of Embroidery stranded cotton Lavataria B. That's one of the perks when you sell embroidery supplies, you have a very, very large 'stash' :).
The small leaves were filled using chained feather stitch. This is an interesting filling stitch I would normally not remember to use. Stitching the yellow primrose at the bottom, I made a few changes too. The instructions tell you to whip each blanket stitch with a pesky metallic thread. That's sound advice if you really hate yourself :). The metallic fibres constantly catch on your silk blanket stitches. Instead, I worked a few arbitrary back stitches to add the required sparkle. Much easier. Then the instructions want you to use a different silk thread to add two detached blanket stitches into every other blanket stitch. Now again, if you don't like yourself too much... Instead, I worked a normal blanket stitch edge around the whole flower. This produces pretty much the same look as the pictures in Inspirations do.
It seems that the Strawberry Fayre project follows a certain mantra: be as complicated with your needle and thread as you can be in tight spaces! This does not make for an enjoyable nor easily achievable stitching project. Struggling on your own can be quite disheartening. Luckily, I have a pretty amazing Instagram (@maerchenhaftesstickengrimm) following and they cheered me on. Basically, they gave me permission to change things when I saw fit and told me that they would still love me if I did so. Pretty amazing people, don't you think?
So, I stopped being hard on myself and I dived into the forget-me-not sprays. You make the tiny beaded flower heads separately and then you couch them into place. I really fell back in love whit the project. Maybe beads are the solution for everything?
To finish off the front heart, only the three strawberries remained. They are quite fun to do as well. What do you expect? They contain beads as well :). However, once these gorgeous red fruits were finished, my husband started an argument about them being raspberries rather than strawberries. To settle the argument, I ran an Instagram poll. Shockingly, 94% of the poll takers thought so too! Raspberry Fayre it is then...
P.S. If you would like to see how others tackle Raspberry Fayre, hop over to Janet Granger's blog for another detailed stitch along.
P.P.S. Please note: My studio is closed coming Friday and Saturday (23rd & 24th February) due to me attending my Aunt's memorial service.
Monday is my preferred blogging day. However, yesterday was a hilarious day and it messed up my order of work completely. And since it is too funny not to share, I will! So, when I came home from my morning swim, my Bavarian mum needed my help. Since the fire, the whole family moved in the holiday apartments above and beneath us. As she needs to cook for this very hungry family, they put in a new kitchen. Now imagine somebody going from a traditional big Aga cooker to a hyper-modern touch-screen electrical stove... And yesterday this hyper-modern menace had put itself to sleep in the middle of cooking lunch! Now, the farmer has coped very well with the loss of his farmhouse and his cattle, but not finding lunch on the table at 12:30h would have been disastrous. After reading the manual several times and doing exactly as stated, the bloody thing came to live again. Lunch saved!
But, that wasn't the end of my woes. My mum called from the Netherlands and needed help with the settings of her newish mobile phone...
Last time we visited Strawberry Fayre, I had put in the scrolls, tendrils and large flowers on the front and back heart. This time, we are going to talk about the big leaves. I must confess that I have a hard time stitching this project. Although I really liked stitching 'Home Sweet Home', I don't seem to get into a stitching rhythm with this project. Now don't get me wrong, I don't mind stitching to be slow. But I hate it if I don't get into some sort of rhythm. If I need to put each stitch into place very carefully, I lose interest.
But first, what I do like! There are three types of big leaves in this part of the project. And two of them involve beads. Now that's something I am definitely taking away from this project: adding beads to ordinary embroidery stitches. This is tremendous fun! One of the leaves has a beaded version of knotted pearl stitch and the other a beaded version of coral stitch. Both brilliant. You can see the first type in the picture above and the second one in the picture direct below.
The third type of leaf features wheat ear stitch without any beads (see below). To add sparkle to all leaves, high-lights and edges are stitched with a metallic thread by Au ver a Soie. Over the years, me and metallic threads have learned to get along. However, adding high-lights and a double edge in and around tiny shapes isn't for the faint hearted. It all seems a bit much and a bit over-complicated.
The part where I really struggled, is at the tip of each leaf. You are supposed to do a padded buttonhole stitch with one strand of Gumnut spun silk. This is a tihgtly twisted silk and one strand is quite comparable to one strand of stranded cotton. This means there is no 'spread'. It is extremely difficult to get it to sit nicely on top of the padding AND follow the curve of the leaves. Carolyn seems to have solved this problem by making very long stitches. I tried to copy this approach, but my stitches kept sliding off the padding. I also found it very difficult to keep a neat edge where the stitches do not touch the other part of the leaf. Although I used a fine tipped marker to transfer the pattern, due to the fineness of the thread, the lines where still too fat to maintain a clean edge. Furthermore, I am really happy that I choose to stitch the whole piece on a much finer fabric than the one that came with the kit...
So, how will I move forward? I will leave it for now. But, I will probably take out the tips of most leaves and try again. The flow of some of the leaves is just too ugly and way below my standard. Any tips gratefully appreciated! And then, I'll move onto the strawberries. And they promise to be great fun as there is beads involved!
But before all that, I will be stitching two commissions. Of which one involves repairing a sampler that's over a hundred years old. More on that next week!
Strawberry Fayre: part 2 the flowers
Before we check in with my progress on Strawberry Fayre, I'd like to share with you that I have been featured in Mad'inEurope's 'Stories of European Talents'. You can read my article here. It is well worth exploring the other crafts people as well!
This time we are going to talk about the two big pink flowers in the big hearts. Now, since Janet Granger has published two excellent thread substitution lists on her blog, I'll concentrate on the actual stitching. Do visit Janet's blog as it is a really good read and personally I can't wait for her to start the actual stitching!
First up was the carnation. And the first stitch called for was the beaded diamond stitch. Never heard of it. But the step-by-step photographs provided in Inspirations were excellent and I soon mastered this stitch. It is quite pretty with the beading. However, as the space is limited in the lower petals, it all becomes a little crammed.
I am especially proud of my padded satin stitch calyx covered with a tiny trellis. I love this stitch combination and the threads used (silk and metallics). As I am severely allergic to fishbone stitch, I swapped it for fly stitch on the flanking petals. You see, it is ok to push yourself to learn new things. But, you'll find that there are certain stitches that give you the creeps. In my case: fishbone stitch. And it is perfectly ok to swap stitches in a design devised by somebody else!
Oh, and once I completed the carnation and compared it with Carolyn's original, I spotted a further difference. My petals do not touch the calyx. Then I checked the line drawing of the pattern and saw that this is indeed different from Carolyn's piece. Personally, I quite like the separation and will leave it. However, if you don't like it: pay heed before you start stitching.
Next up is the lily. Quite straight forward stitching with Vandyke stitch (one of my favourites!), satin stitch and fly stitch. The largest lower petals were covered with satin stitch using two strands of silk. The instructions advice you to follow the petal-curve with your stitches. However, as this is a rather small area and you are working with a double strand, it is a bit hairy. Therefore, I stitched the second lily on the back heart with a single strand and the result is a lot smoother. Note to self: only ever execute satin stitch with a single strand :).
And then I hit a block. Oh dear. I ran into cable plait stitch. Another unknown stitch to me and this time I could not make heads or tails from the step-by-step instructions. So what does an embroidering damsel in distress do? Well, certainly not call for a handsome, but rather big-boned knight with zero-knowledge of embroidery stitches. Instead one consults Mary Corbet's excellent how-to-video on cable plait stitch. Then one grabs a thicker thread and a spare piece of cloth and practices. Then one finally returns to Strawberry Fayre and continues to stitch.
Do I like cable plait stitch? Yes!, or at least when I stitched it with perle #8 on 40ct linen. Even when closely spaced. Do I like it as an outline on the lily petals stitched with Gütermann silk? Not so much. The thread is so thin and the subsequent stitches so tiny, that the braid-like appearance is lost to the naked eye. Another annoyance was the thread itself. Gütermann silk breaks a lot with this stitch. Instead, I have opted for coral stitch with a slightly thicker thread (Soie Perlee #384 by Au ver a soie) on the other lily. I liked this thread and its colour so much, that I also embroidered my initials and the year with it.
I think my overall impression so far with Strawberry Fayre is that it is basically crewel embroidery on the scale of fine whitework. This is by no means a mistake or displeasing, but it does mean that most of my young-at-heart-but-with-older-eyes readers will need to use a magnifier for the whole project. In comparison, I liked the Home Sweet Home project better as, at least for me, thread choice and stitches were better. I would love to hear your thoughts on this! Please do leave a comment below. Next time we are going to check in with this project, the leaves and the beaded flowers will make an appearance.
P.S. Don't forget to visit my stand at the upcoming Leonardimarkt from Friday 3th till Sunday 5th of November!
Two weeks ago I found, in between all the spam on easy loans, Viagra and what not, a most impressive surprise in my mailbox. Ginette Marcoux, one of the readers of this blog, wrote the following:
"Today I want to share with you a special thanks for the prize winning beautiful embroidery of the fox from Millie Marotta colouring book. Because I came across a post on Mary Corbet's site talking about it I got curious and went on your site. And then.....then..... I fell in love with it! I am what Mary calls a very determined beginner embroider and I decided that if I bought the book, and follow your instructions I could do this, I simply had to work on something inspiring. So here is a picture I took when I was done (it took me nearly a whole year of trial and errors). Although I tried and tried again the stumpwork it was over my competencies, so I decided to add some bead leaves to compensate."
And when I asked her if I could share her beautiful embroidered fox, this is what she wrote:
"Thank you for your kind words, without your inspiring modern approach to embroidery design I think that I would have dismissed this art altogether (I thought that embroidery was for older people!). If you believe it could be of interest for others to see what a new embroiderer can do with a bit of determination and a lot of discovery learnings, then yes it will be my pleasure to share this project with them. Thank you for sharing all your work as well!"
I am still blushing about Ginette's lovely comments! It makes my heart swell as this is exactly why I do what I do. So without further delay, here is her great rendition of the Millie Marotta fox:
I think Ginette's work is stunning! The idea to use beaded elements instead of stumpwork wired elements works so well. Her fox has so much definition! It makes me want to make another one...
And lucky as I am, I had further incredible mail a couple of days later. Francoise Richard, a reader from France, send me an email regarding last week's post on the project Strawberry Fayre. It turns out she has already stitched the project using her own stash. She kindly let me share with you her list of used supplies and some pictures. How cool is that?! This is what she wrote:
"Bonsoir, I am Françoise from Françe and embroiderer for my pleasure. First, I would tell you that I follow your blog every time because you are a great embroiderer, I love all what you do! I made this fabulous kit of Carolyn Pearce this September but I don't purchase the kit because it is too expensive and I have a lot of threads and beads. You will see the photo above and this are the supplies I have used:
Dmc stranded Cotton art 117: 727,210,208,915,911,913,954,910,3818,912
Dmc satin: 552,700
Caron collection Silk waterlily cardinal
Gloriana silk 106 , 061
Ver à soie , soie d'Alger 2941, soie surfine 223, soie Metallic au sextant 122440, soie de Paris 3023
Guterman sulky ca02776
Madeira Metallic 12 et 305
Beads mill Hill petites 40332, 40557, 42101, 42012, 40553 42011
Mill Hill glass seed beads 02077, 02011"
Now that made me blush again! I am blessed with great readers indeed. So here are Francoise's pictures of Strawberry Fayre:
To all others who follow along with the Strawberry Fayre project: do read the great comments on last week's blog post (and probably future ones as well :)!). You are such a helpful bunch and this project is so popular, that great comments came in on possible substitutes. Someone even came up with the brand name of a possible substitute for the fabric! You will be able to find all blog posts regarding the project by clicking on either 'Carolyn Pearce' or 'Strawberry Fayre' in the right-hand categories column.
Apart from working on Strawberry Fayre and several other embroidery projects, I am busy making beaded pendants for the upcoming Christmas-Market-Season. At one of the venues, I have proposed to start a kind of a community stitch project. I am very excited about this prospect and hope that it can be done as envisioned. Other than that, I have also planned next year's week-long stitch retreats and W.I.P. Saturdays. You will find them under 'Coming Up'. Hope to meet you at one of these events!
Strawberry Fayre: part 1
Time to start a new project! Not that there aren't any W.I.P.s left... However, I have the perfect excuse to start this particular project: YOU. It feels nice to be important doesn't it? The latest Carolyn Pearce project 'Strawberry Fayre' featured in Inspirations #95 generates quite a buzz in the worldwide embroidery community. And rightly so! It is every bit as cute as Carolyn's other world-famous project: Home Sweet Home. There is however, a bit of a downside. As with the Home Sweet Home workbox, this project requires an awful amount of speciality threads and finishing materials. We all know that, depending where you are in the world, these are a nightmare to source. Inspirations does offer a kit, but at AUD$255.00, that can be quite steep. Quite frankly, if I wasn't an embroidery tutor who wants to be at the top of her game, I would probably not have bought one. So, what should one do if one desperately wants to stitch this particular project, but doesn't have access to either an elastic wallet or a well sorted needlework store? Follow me along on this blog! Over the comming months I will be stitching the project using the kit provided by Inspirations. I will show you what's in it and talk about readily available substitutions which would do the job beautifully too. Now, let's start!
I have decided to start with the front and back heart. They require the most and similar stitching. This will give me a good idea of the threads used and thus of possible substitutes. But first things first. When the Inspiration's kit arrived, I was a little disappointed to find that the fabric included isn't the original one used by Carolyn. It is a little difficult to convey in a picture, but the fabric in the kit has a looser weave and is slightly stiffer. It does not feel as nice as the fabric which came with the Home Sweet Home kit. Fortunately, back then, I bought 10 meters of this fabric and still have enough left to use for Strawberry Fayre!
And that's not the only change I've made. Ever since I attended the Royal School of Needlework, I love to work on a slate frame. As a slate frame takes some time to dress, you don't want to use it for small scale projects. However, the amount of stitching on the front and the back heart do justify the use of a slate frame. I've also swapped the permanent marker for an aqua trick marker. In order to transfer the design, I made a copy of the pattern sheet and thickened the lines with a permanent black marker. The lines were now clearly visible when using my lightbox for transferring. And that's when I found a little mistake on the pattern sheet. There's a stem missing (see arrow in picture above). Happens to the best of us :). I've also added my initials and the year to the back heart.
Let's talk about the actual embroidery. I'll start with the stems and move onto the flowers and leaves in future posts. A combination of four different threads is used to stitch all stems on the front and the back heart: Au ver a Soie antique metallic #223 black copper, DMC stranded cotton #937, Gumnut yarns 'stars' stranded silk #606 rainforest and Gütermann sulky rayon no. 40 #1177 light avocado green. The pattern advices you to stitch the thickest parts of the stems with two strands of the Gumnut silk using Hungarian braided chainstitch. I have to admit that I struggled with that. Using two (or more) strands of a particular thread poses its problems when maintaining good tension. In this case, we are advised to use a spun silk which is already a bit 'fluffy'. Now add these two characteristics together and you are in for trouble. In this case: you'll bound to lose definition in your stitching. Normally, the Hungarian braided chainstitch produces a nicely defined braid. Well, it might be me, but I couldn't do it. Looking at some of the close-up pictures in Inspirations, neither always could Carolyn. However, her stitching on the front and back heart look immaculate. That puzzles me a little. Or could it be she used two different threads or batches of thread?
So, if you are going to stitch this project using more readily available threads or your own stash, I propose that you'll use a #12 perle for these parts of the stems. You could for instance use Anchor #265 or #266 these are not variegated, but still a good match! Unfortunately, DMC does not have a good match. And if you want to have an almost perfect variegated match, you can use House of Embroidery #6a Privet.
What I really like is the adding of a stem stitch outline to the Hungarian braided chainstitch using a darker shade of green. It really lifts the previous stitching! This again is outlined with a stem stitch line using the Au ver a Soie metallics. Not nice to stitch with as this is a metallics. Can't be helped, the effect is lovely :). You could substitute this thread by using a single strand of either DMC or Anchor metallics. Us the 'darker' of the gold options. DMC Diamant even has a copper colour, but bear in mind that this thread is thicker than the Au ver a Soie.
Next up is something pretty puzzling. The thinner stems should be stitched in chainstitch using two strands of the Gumnut again. Now that's straight forward, although I would swap for the perle #12 next time :). But then it gets a little strange. One should whip the chainstitch with one strand of the Gütermann Sulky? Huh, you can't see that! Not in the pictures and not when you work it yourself. So, I omitted that on all but one stem :). This rayon thread is also used for stem stitching the tendrils. Not a nice task either as this rayon thread untwists itself faster than woman can stitch. It is therefore an excellent idea to swap it for a single strand of either DMC stranded cotton #704 or Anchor #225.
And that are the stems on Strawberry Fayre! Remember that, if you are going to swap out the recommended threads by my suggestions, you'll test your colour selection together! Next time we'll visit this project, I'll show you the threads and embroidery on the large pink flowers.
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