This time we are going to talk about the two big pink flowers in the big hearts. Now, since Janet Granger has published two excellent thread substitution lists on her blog, I'll concentrate on the actual stitching. Do visit Janet's blog as it is a really good read and personally I can't wait for her to start the actual stitching!
First up was the carnation. And the first stitch called for was the beaded diamond stitch. Never heard of it. But the step-by-step photographs provided in Inspirations were excellent and I soon mastered this stitch. It is quite pretty with the beading. However, as the space is limited in the lower petals, it all becomes a little crammed.
I am especially proud of my padded satin stitch calyx covered with a tiny trellis. I love this stitch combination and the threads used (silk and metallics). As I am severely allergic to fishbone stitch, I swapped it for fly stitch on the flanking petals. You see, it is ok to push yourself to learn new things. But, you'll find that there are certain stitches that give you the creeps. In my case: fishbone stitch. And it is perfectly ok to swap stitches in a design devised by somebody else!
Oh, and once I completed the carnation and compared it with Carolyn's original, I spotted a further difference. My petals do not touch the calyx. Then I checked the line drawing of the pattern and saw that this is indeed different from Carolyn's piece. Personally, I quite like the separation and will leave it. However, if you don't like it: pay heed before you start stitching.
Next up is the lily. Quite straight forward stitching with Vandyke stitch (one of my favourites!), satin stitch and fly stitch. The largest lower petals were covered with satin stitch using two strands of silk. The instructions advice you to follow the petal-curve with your stitches. However, as this is a rather small area and you are working with a double strand, it is a bit hairy. Therefore, I stitched the second lily on the back heart with a single strand and the result is a lot smoother. Note to self: only ever execute satin stitch with a single strand :).
And then I hit a block. Oh dear. I ran into cable plait stitch. Another unknown stitch to me and this time I could not make heads or tails from the step-by-step instructions. So what does an embroidering damsel in distress do? Well, certainly not call for a handsome, but rather big-boned knight with zero-knowledge of embroidery stitches. Instead one consults Mary Corbet's excellent how-to-video on cable plait stitch. Then one grabs a thicker thread and a spare piece of cloth and practices. Then one finally returns to Strawberry Fayre and continues to stitch.
Do I like cable plait stitch? Yes!, or at least when I stitched it with perle #8 on 40ct linen. Even when closely spaced. Do I like it as an outline on the lily petals stitched with Gütermann silk? Not so much. The thread is so thin and the subsequent stitches so tiny, that the braid-like appearance is lost to the naked eye. Another annoyance was the thread itself. Gütermann silk breaks a lot with this stitch. Instead, I have opted for coral stitch with a slightly thicker thread (Soie Perlee #384 by Au ver a soie) on the other lily. I liked this thread and its colour so much, that I also embroidered my initials and the year with it.
I think my overall impression so far with Strawberry Fayre is that it is basically crewel embroidery on the scale of fine whitework. This is by no means a mistake or displeasing, but it does mean that most of my young-at-heart-but-with-older-eyes readers will need to use a magnifier for the whole project. In comparison, I liked the Home Sweet Home project better as, at least for me, thread choice and stitches were better. I would love to hear your thoughts on this! Please do leave a comment below. Next time we are going to check in with this project, the leaves and the beaded flowers will make an appearance.
Note: I have not finished this project as the instructions were faulty and the kit did not contain enough materials.
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