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Historical Embroidery News...

Being stalked in a Museum ...

15/3/2021

10 Comments

 
As Germany stumbles out of the lockdown we have been in since December, I and my husband took the opportunity to visit the exhibition of the "Kaisergewänder" in the Diocesan Museum Bamberg. Although I visited this museum before, this time the latest research results on the goldwork embroidery were on display. Luckily, my husband was so kind to come on a 660 km round trip with me (promising him cake always works!). If you would like to visit this exhibition yourself, you will have to do so before the end of the month or before the rate of infections rises above the threshold again. You will need to make an appointment through the museum website and fill out a form. So, what new things did we see?
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Regensburger Rationale (original)
First of all, I was really impressed with the amount of information now available for each vestment on display. The original captions were VERY short and that was a major disappointment on my first visit. Secondly, there was a whole room devoted to the "raw data" of the research project. This will probably all become available in the three monographs I have on pre-order. Looking at the tracings and other study results, many of my own assumptions were confirmed. And I learned so much more about these goldwork embroideries that you just cannot see with the naked eye or learn from the pictures I took and enlarged on my computer.
Picture
Regensburger Rationale (copy)
A rather interesting piece on display was a copy of the Regensburger rationale. This is a special vestment awarded by the pope to some bishops and was modelled on the ephod of the Jewish high-priest. It is hardly being worn today. The original was stitched in AD 1314-1325, probably in Regensburg. The copy was made for Bishop Franz Wilhelm von Wartenberg (AD 1649-1661) and is now held at the Bayrische Nationalmuseum in Munich (T 178). The copy was likely made to be used by the bishop to spare the original. As you can see, the stitching on the original rationale is made with much finer goldthreads than that on the copy.
Picture
Picture
And now the stalking :). As always, I take many pictures, when allowed. At some point, two women sneaked up to me as they were curious to know who this lady-with-a-Canon-stuck-to-her-face is. It turned out that I knew one of them, Dr Ludmila Kvapilová, scientific associate of the museum (recognising people with a facemask is an art I have not yet mastered). The other lady turned out to be the new head of the museum: Carola Schmidt. Carola trained as a technical weaver before studying art history. The three of us had a lovely conversation and at some point, I mentioned that I had stitched a small sample based on the lettering seen on the Sternenmantel for the conference "Über Stoff und Stein" (you can find my blog on this reconstruction here). They asked if they could display the sample as part of the exhibition. Sure! So, today I mounted the sample and send it to them. This way they can also use it as a teaching aid. I am looking forward to staying in touch with them and to sharing my expertise.
If you would like to learn to professionally mount your finished embroidery, you can find downloadable instructions in either English or German in my webshop.
10 Comments
truus notermans
15/3/2021 17:20:55

Proficiat Jessica,
Je kunt nu zeggen dat je werk is opgenomen in een museumcollectie

Reply
Dr. Jessica Grimm link
15/3/2021 17:28:26

Dank je wel Truus! Was ook een hele bijzondere ervaring. Twee vrouwen die heel voorzichtig vragen of je Dr Jessica Grimm bent :). Ze waren eerst nog even bij de kassa de formulieren door wezen kijken die de bezoekers af moesten geven. Zo waren ze een beetje voorbereid. En ik ben heel blij dat de nieuwe museumleiding ook een hele praktische achtergrond heeft en dat ook graag in de tentoonstelling wil laten terug komen!

Reply
Claire
15/3/2021 17:29:48

Museums are re-opening here too - can't wait to have my first visit (after the exam, tomorrow!). But what a magnificent piece!! Do you think the monograms will have better pictures? This is just gorgeous! Thank you for sharing. And so interesting to see that for them the original was already such a piece of art they had to make a replica for day-to-day wear! I'm very happy that your work will be on display too. Hopefully something good and useful for you will come out of it! Take care...

Reply
Dr. Jessica Grimm link
15/3/2021 17:40:15

Yes, the first volume has been published and the pictures are stunning. The book even contains three folded posters of the Sternenmantel, Kunigunde Mantel and the Bamberger rationale. Good luck with your exams tomorrow!

Reply
Debbie
16/3/2021 07:09:44

Hello Jessica , Thankyou for sharing this . The embroidery on the AD1314-1325 Regensburger Rationale is just so fine ! The faces of the figures so intricate in comparison to the 17th century one . I would like to see much closer up pictures of it .
I also love your sample , how special to have it on display in the museum too !

Reply
Dr. Jessica Grimm link
16/3/2021 08:48:50

Thank you, Debbie! I might do a blog post on rationales next week :).

Reply
Elaine Scoble
16/3/2021 11:07:36

Hi Jessica
I love reading your Blog, and getting inspiration from you and from the 16th Century artists.
The Regensberger Rationale vestments are gorgeous - the original first one is stunning. How beautiful they are. I had never heard of this particular vestment before!

At the end of this blog, you say "If you would like to learn to professionally mount your finished embroidery, you can find downloadable instructions in either English or German in my webshop". I can't find the downloadable instructions - where are they?
Thanks

Reply
Dr Jessica Grimm link
16/3/2021 11:27:56

Oh, thanks for allerting me to the broken link, Elaine! I've repaired it. If you click on "English" you are taken to these instructions in my webshop.

Reply
Rachel link
16/3/2021 18:13:56

How lovely for you all to have that conversation, after this past year of staying very close to home and only seeing people on screens, it at all!

And now they have a wonderful new teaching aid, and you no longer have to store your piece!

Reply
Dr. Jessica Grimm link
16/3/2021 19:20:13

Indeed, Rachel. These pieces have far more value as a teaching aid than sitting in a box in my studio :).

Reply



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