Book review: Fashion for God

Before I let you know what I think of the catalogue accompanying the latest textile exhibition of Museum Catharijneconvent, I have some lovely announcements. Firstly, I have been re-invited to join the International Festival of Goldwork and Jewelery in Bukhara, Uzbekistan. Two years ago, I sadly couldn't honour the invitation as I was very sick with Covid. So, fingers crossed that I stay healthy this time! Secondly, I have been notified by the Royal Dutch National Library that they will yearly archive a copy of my website and make it available in their collection. That's pretty cool too, I think! And now on to my book review proper.

Exhibition catalogue: Fashion for God

Last year, I visited the exhibition 'Fashion for God' (Religious textiles from the clandestine churches of the Northern Netherlands 1580-1800) in Museum Catharijneconvent in the Netherlands. It was the long-awaited sequel to 'Middeleeuwse Borduurkunst uit de Nederlanden' (medieval embroidery from the Netherlands) from 2015. And it was very much 'Dirty Dancing' and 'Dirty Dancing: Havana Nights' :). I only watched that sequel as Patrick Swayze had a teeny-tiny part in it. I only went to this exhibition as there would be a few medieval vestments on display that are hardly ever on display as their respective churches still own them. And it was a joy to be able to study them up close and take as many pictures, with sufficient light, as I liked. I also learned a lot about how these vestments survived and what the role of certain people and groups of people was. And I bought the catalogue for the sake of completion. Flicking through it before buying, it didn't exactly shout 'quality'. And now that I have read most of it, I don't know if I want to cry or start to laugh hysterically...

Exhibition catalogue: Fashion for God

The layout of the book, in my opinion, is a disaster. Pages with text have different background colours, the typeface is HUGE and pages with detailed pictures have been inserted at random as to imitate a fabric sample book. The paper of these 'fabric samples' is flimsy. There's an awful lot of empty space on the pages. The same information could have been printed on a fraction of the pages. Why this waste? Why not use a normal-size typeface and fill the pages properly? Use the freed-up space for close-up pictures of the embroidery or the fabrics, please! There are no close-up pictures of the embroidery in this book. Pretty odd for a book with embroidered textiles in it.

Exhibition catalogue: Fashion for God

The book consists of two parts. In the first part, there are five essays written by the Old Catholic bishop of Haarlem, a curator and a former curator of the museum, and two art historians specialising in (embroidered) textiles. Only one essay is well written. The others barely scratch the surface of the subject and just don't flow. One even has a pretty big omission/mistake regarding the types of gold thread used in medieval Dutch goldwork embroidery. But what is really missing from this part of the catalogue is a thorough essay on the embroidery and tailoring techniques used in the making of post-reformation catholic vestments. Why is this missing? After all, the socio-economic analysis shows that we move from (male) professional to (female) non-professional makers. Surely this is reflected in how things are being made.

Detailed picture I took of a cope hood, probably made in Haarlem around 1540-1550.

The second part of the book consists of the catalogue proper. There are 48 entries. Written details of the embroidery are very sparse. And since these are not illustrated with close-up pictures; good luck to the reader.

And the worst thing? The catalogue of the 2015 exhibition was only available in Dutch. Very disappointing for most of you and not good practice when you own a world-class collection. This one is available in English also. But why would you want one? At most, it serves as a list of textiles available in the Netherlands that you can then track down for proper study.

Don't get me wrong. The exhibition itself was lovely. The fact that you can see many of the textiles up close and in sufficient light (often not even behind glass) is fantastic! And I really learned a lot about the religious women and some men who saved and preserved the late-medieval vestments and made new ones in the old style. But if you hoped to get a good impression of the exhibition through the catalogue, you will probably be pretty disappointed. When they did the medieval exhibition in 2015, all the pieces in the collection of the museum were photographed and made available in high-resolution online. Not so this time. So, you can't even use the paper catalogue as a starting point to enter better close-up pictures in their online catalogue. What a missed opportunity.

Literature
Beer, R. de & P. Arts (2023), Fashion for God. Religious textiles from northern Dutch hideaway churches 1580-1800, Waanders Uitgevers Zwolle/Museum Catharijneconvent Utrecht.