Today we'll end our tour of the Regensburger Domschatz with three splendid paraments stitched in the 19th century. Generally speaking, I am not a huge fan of these 'newer' paraments as they tend to become too simple and almost hasty in their stitching techniques. This is especially true of paraments of the second half of the 20th century. However, the three pieces you are about to get acquainted with are still proof of high craftsmanship.
The first piece is an antependium or altar cloth entirely stitched with tiny seed beads! Do have a look at the enlargement of Lucas's head and you'll see what I mean. The piece was stitched in Regensburg around 1890 and designed by Dean Georg Dengler (1839-1896). Dengler designed various pieces and saved many pieces of Christian art for future generations to admire.
The largest piece in the collection is part of a throne baldachin. It was made in Southern Germany at the beginning of the 19th century. It contains, however, older parts. On red velvet, large floral motives in gold and silver threads are appliqued. The exotic flowers are filled with basket weaving patterns, whereas the stems and outlines are stitched with the guimped couching technique. The piece was donated by Archbishop Karl Theodor von Dalberg (1744-1817). A true child of his time, he was not only a church man, but also a Prince-Primate and a Grand Duke.
The last sparkly piece I'll show you is a cope worked in goldwork and silk embroidery. It was made in Southern Germany in 1871/73 and donated by Bishop Ignatius von Senestrey (1818-1906).
That's the end of our tour through the paraments of the Regensburger Domschatz. I hope you liked seeing these ancient splendours of embroidery craftsmanship. Next week I'll show you my embroidered version of Millie Marotta's fox. Fingers crossed I'll finish it on time...
wat een werk zit er in deze paramenten. ik snap waarom de huidige paramenten stukken eenvoudiger zijn
Hahaha, ja dat zijn heel wat uurtjes prikken :)!
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