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Historical Embroidery News...

Sharing a laugh...

28/9/2018

33 Comments

 
As I have written before, I am trying to get recognised as a textile artist instead of a craftswoman by the authorities. Germany, and indeed some other countries, have legislation in place that provides cheaper health insurance, a modest pension and tax relief for artists. For as long as I have been self-employed, I have been treated like any other small business. That's not really fair when you know that I often can't even charge the legal minimum wage of €8,83 per hour. To give you a sense of perspective here: when I was a self-employed archaeozoologist, I charged €65 per hour like everybody else. Most people who know me and my embroideries thought it would be easy to get this formal recognition as an artist. Unfortunately, that has not been the case. And as my latest down-turn is so hilarious, I am going to share it with you. So what happened?

My official application was finally, after a round of corrections, turned down. However, I was allowed to appeal. One of the things the authorities criticised was my lack of recognition amongst fellow artists. So I decided to join the Fiber Art Network (FAN): a great place to learn about grants and exhibition opportunities. This will certainly help me in the near future! Then I applied to the TAFA-List (Textile Art and Fiber Art List) to be included. As this is a vetted list, it has a little more credibility than FAN. And the list's curator Rachel Biel, has been very helpful in suggesting a few changes to my website in order to make it more obviously art. Unfortunately, I have not been able to find a German association for textile artists. So I applied for membership at a local artist society. And then things went bonkers!

I wrote them a lovely email explaining who I am and what I do. What I would like to achieve artistically in the future and how I thought membership could help me achieve this. It was followed by 14, yes FOURTEEN, days of deafening silence. I decided to re-send my original email, minus the pictures; after all you never know if they had clogged up their email boxes :). I promptly got a reply. I was told that 'after lengthy discussions' they had turned down my application as my embroideries are of very high quality but firmly belong in the realm of craftsmanship or are at best 'applied art'. Not 'real art'. Wow, that dampened my spirits. A nagging self-doubt emerged. Luckily I kept my wits about me and started thinking about the whole difference between craft, applied art and 'real art'. I perfectly know that not all my embroideries are automatically 'real art'. For me, a piece of art is art because it has different layers of meaning. So, I wrote a second email.

In that email, I asked them to consider the new project I am working on depicting the pope and the encrusted pebble memory stones I make when beloved people pass on. I firmly believe they are ART. And this is the reply I got:
Dear Mrs Grimm,
Not only for us, but especially here in Bavaria, embroidery is a traditional craft. Your work is really very beautiful and also original, but clearly limited to the tradition of this craft. …. When you would like to mingle with artists, you are very welcome to attend our courses in figure- and portrait drawing or any other course that we will offer in 2019, for instance structures in oil or acrylic. We will publish these new courses on our homepage in January. Please don’t be blue, but we won’t ever exhibit stitched saints – not even when they are so very imaginative- as part of our group exhibitions.
Chairwoman of the Artist Society Tusculum in Murnau

Is she seriously suggesting I should take up drawing or painting so as to further my artistic developement? As the Dutch say: This makes my trousers drop! Then I realised that she excludes all textile artists that use embroidery from ever creating 'real art'. And that's when my self-doubt melted away completely. And I had a good laugh. Although I used to be impressed by this particular artist society, several of its members have attended art school, I now know that they have really limited and prejudiced views when it comes to art.

As you can probably imagine, this whole process is draining me. I am even battling with a cold; the first one in several years :). And although I know I will learn and grow through this experience, I do not have to like it, now do I? But it has helped to understand some of the other experiences I have had over the past seven or eight years in both Germany and my native Netherlands. Up until recently, I tried to be accepted by the artisans. This never really worked. Some fellow craftspeople reacted with suspicion to my embroideries. Visitors of high-end craft shows were openly hostile towards me and my work. Both groups repeatedly commented that my work has nothing to do with 'traditional embroidery'. They made it clear to me that I don't belong. Ironically, the 'other side', the artists, say I don't belong either.

So what will I do? I did write my appeal to the authorities. I am pretty sure they will turn me down again. In the meantime, I will make camp on the fence and get to grips with the fact that I don't belong in either camp. I will keep creating my art embroideries and I will connect with fellow textile artists through FAN and TAFA. There is music in me that seeks a canvas. It will flow through my fingers onto that canvas using a needle and not a brush!
33 Comments
Monique
1/10/2018 09:43:35

The truly great are never immediately appreciated by the mediocre and are often attacked by those who should know better. Until later...when everyone wants to take credit for discovering and supporting you.
I hope you don't waste your creative energies on this, because it IS draining and limiting and it keeps us from enjoying what you give.

Reply
Jessica Grimm link
1/10/2018 10:01:02

Thank you Monique! That's what my husband said too. Once my pieces get starting to get attention, this artist society will probably be more than happy to have me as a member :). The good thing about a blog is that you can just write these rotten experiences down and that's a huge step in overcoming them!

Reply
Anne Shepherd
1/10/2018 09:47:11

Hi, please accept my condolences,😁
Have you considered the English Embroiderers Guild, they might not be so small minded? I hope your appeal is successful.
Regards,
Anne

Reply
Jessica Grimm link
1/10/2018 10:02:57

LOL, accepted, Anne! Unfortunatley, organisations like the Embroiderers Guild and the EGA are seen as craft organisations here in Germany.

Reply
BOBBIE Holland
1/10/2018 10:20:36

Hi Jessica
How irritating. It certainly doesn't seam fair when so much thought, skill and design work goes into a piece. Textile art of any description is very much the poor cousin as I have discovered here in the UK.
Pretty impressed that you can get a tax break as an artist though.
I wish you good luck and hope that you will eventually be successfull.

Reply
Jessica Grimm link
1/10/2018 10:47:28

It certainly is, Bobbie! And I really felt that she was taking the piss when she suggested I should attend their drawing and painting classes. Ah well, unwards and upwards!

Reply
Rachel link
1/10/2018 11:05:58

Wow. Completely speechless here. I wish I were more surprised...

But your reaction is the right one. Their views are small-minded and limiting, but as you develop a higher profile they may well be approaching you to invite you to join them.

We would agree, I think, that not all we embroider is art (I embroidered some table napkins a little while ago - that's definitely craft) but that our chosen medium of artistic expression - the way we tell stories and express ideas - is by means of embroidery. We can even say that painting and drawing are tools of our trade, producing only intermediate stages of our work....

Reply
Jessica Grimm link
1/10/2018 11:13:50

I couldn't agree more Rachel!

Reply
Rachel link
1/10/2018 11:37:44

Have you come across the Society For Embroidered Work (https://www.societyforembroideredwork.com/) ? They are very recently set up, but in response to just exactly these attitudes...

Jessica Grimm link
1/10/2018 11:47:51

Thanks for the link Rachel! Such a shame they have closed submissions. I've written them an email anyway and hop they'll accept new members soon :)!

Tanja Boukal link
1/10/2018 12:37:18

Dear Jessica,
What about sending them a link to my webpage and other artists who work with textiles? As a contemporary artist also working with embroidery, I can prove that it is possible to exhibit embroideries in major contemporary museums. Don’t give up!
www.boukal.at

Reply
Jessica Grimm link
1/10/2018 13:18:54

Thank you Tanja! I did indeed include a link to you. However, I am under the impression that they did not really look at my website or any of the links I provided. Will keep trying!

Reply
Marina
2/10/2018 09:31:02

Yes, Jessica, you're probably right! These people might not even know how the web works and are quite incapable of looking up a website on their computer...:(

Meri link
1/10/2018 13:06:51

So sad for you to read this but not a little bit surprised!
Long ago I tried to be accepted as artisan... not even an answer!
I'm sure you already know https://www.textileartist.org/ once you say you are a TAFA member.
I thought the RNS was recognised as an Art School!
Good luck and don't give up ever!

Reply
Jessica Grimm link
1/10/2018 13:22:09

Oh no Meri! Yes, there seems to be a common theme here... The problem with the RSN is that their Certificate and Diploma courses have no official accreditation at all (only their BA course has). Textileartist.org is a fantastic resource and well worth signing up to in order to receive their blog posts!

Reply
Velia Antila
1/10/2018 15:22:38

This is the ongoing story of all wonderful needle artists, the same rejections and turned down applications for their memberships,etc.
It is incomprehensible that these creative and artistic talented people are not being recognized.
Sorry about this unfortunate discoveries you have made. Let's hope one day they will wake up and realize these needle artists worth.

Reply
Jessica Grimm link
1/10/2018 16:52:46

I hope so too Velia! And I see signs that things are changing. So who knows? Soon they might be fighthing over me :).

Reply
Helena link
1/10/2018 17:02:57

Hi Jessica, I´m sorry for you, I can imagine how disappointing this has to be for you. In Germany embroidery is somehow not very popular and is indeed seen more as a craft than art. Are you a member of the Stickgilde in germany? Maybe they can give you an advise or ask Bärbel Zimber from https://paintersthreads.com/ .

It´s a very interesting and contentious question: what is art?! I don´t know why painting and so on are automatically "art", but we have to accept that (?). So how to demarcate craft from art ...? I think the stitches we learn and especially how we use them is crucial. For example a schwalm embroidery is used with the traditional pattern = this is craft. Schwalm embroidery used with unconventional / contemporary pattern...hmm I would say maybe applied art? What would you see as "real art" ? Maybe embroidery styles mixed up, with textile mix...this is really contemporary and of course we need a message. Maybe more abstract pictures, which tell a story. But I´m not sure if this will ever be accepted as art in Germany :-(
Or take a canvas, paint some lines on the background and stich something on the top= art *laugh*

By the way I very admire your honest blogging on this topic :-)

Reply
Jessica Grimm link
1/10/2018 18:34:56

Thank you for your long and interesting comment, Helena! No, I am not a member of the Stickgilde, nor of any other guild. I have been a member of the EGA in the past. Membership of these guilds do not help my case with being accepted in the Künstlerkasse. In medieval times, guilds were places where craftsmen gathered. If I want to get accepted by the Künstlerkasse, I need to stay away from the word craft :). Another problem with the guilds is that nowadays (contrary to the medieval form) anyone can enter. What the Künstlerkasse wants is that I get a membership of a society where my work is judged by a group of peers. Guilds don't do that. I have had contact with Bärbel in the past, but her school is just not for me. As far as I understand it, historically, painting has always counted as a 'high' or fine artform. Women were long banned from persuing it. Needlework on the other hand was always firmly the domain of women. Unless it involved costly materials; medieval vestments were mainly stitched by men :)!

Reply
Helena
1/10/2018 20:52:25

Hmm you are right, guilds belong to craftsmanship. I just had the idea, that their knowledge of the system might help you somehow, you might be not the only one with these problems.

Ich drück dir die Daumen ;-)

Jessica Grimm link
2/10/2018 10:06:36

Thank you so much Helena! I will contact them and see what they might know. Will report back on the blog :).

Steff
1/10/2018 18:19:49

Oh my... what a shameful behaviour of a group of artists. I would have thougt these people are more openminded than the "normal" population. Mh... seems I failed.

What about literature from universities in Germany, where art (and/or textile work/embroidery) is a field of study? Maybe some Professors could help you in this question and give you references of much weight such as literature about how define art. The better would be if there are court decisions existent in germany about this question.
I try to recall the lawsuit of a tattoo artist several years ago, but I can`t remember how it ended. Sorry.

Good luck for your application to be appreciated as an artist.

Reply
Jessica Grimm link
1/10/2018 18:53:22

Yes, that's probably what makes me wonder most too, Steff. I always thought artist were creative, experimental and open-minded. Not this bunch :). When I got my failed application back for the Künstlerkasse, it was indeed filled with past court rulings. Germans are a very efficient people :). Going to the universities will open a can of worms. I don't think they would help me there. After all, I have not studied art :).

Reply
Susan Perkins
1/10/2018 18:41:56

It is criminal that embroidery is not regarded as art. I would like to some of those critics trying to embroider.

A well known embroider here in England has been admitted to the Society of Women Artists. It is affiliated to the Royal Academy.
I wish you all the best, It is so difficult to argue with "boneheads".

Reply
Jessica Grimm link
1/10/2018 18:56:02

Oh, wow, Susan, that sounds wonderful! At least recognition for some with very powerful institutions behind them. I think things are shifting, but probably a bit faster in the English speaking world than in the German or Dutch speaking world :).

Reply
Monica
1/10/2018 19:33:10

https://www.brabantcultureel.nl/2017/07/15/marja-vink-verheft-borduurwerk-tot-kunst/

Hi Jessica, it seems there is some recognition of embroidery as an art form, see the link. Maybe the Textielmuseum in Tilburg can help you find the right way, or else try to contact this artist Marja Vink. Or maybe look to associate yourself with the fashion world. Lots of embroidery going on there, although more of applied art, but you could always try to co-operate with a designer with an embroidered piece as starting point for some ‘real’ design/art. (And just in case things get rough: we’re in dire need of zooarchaeologists over here ;)! )

Reply
Jessica Grimm link
2/10/2018 09:59:13

Thanks for introducing me to the work of Marja Vink, Monica! I will certainly contact her. Trying to cooperate with a fashion designer, wouldn't help me. On the application it clearly states that the designer is an artist, but the hands who mak it are not automatically artists. It is seen as applied art, at best.

Reply
Marina
2/10/2018 09:36:42

Hi Jessica, I was so sad to read your article on your battle. I admire your courage and your ability to laugh at it. I know, because I have been there myself, struggling with recognition first as an embroiderer and receiving only contemptful sneers, and then as a textile artist and receiving only complete ignorance and indifference. Embroidery is indeed not considered as either art nor craft, depending on who looks at it. I'm proud to see that you keep fighting back, because it is so hard and takes so much energy. I'm wholeheartedly with you, and if I can do something to cheer you up, please do tell me!

Reply
Jessica Grimm link
2/10/2018 10:05:10

Oh yes, it does take so much energy, Marina! But I want to share the process on my blog as a kind of 'how to jump the hoops' instruction for others. What I find the biggest problem is the fact that we use the internet a lot to communicate. However, I am asked to submit newspaper articles to prove that I am accepted amongst my peers as an artist... Times are changing fast and more and more people express themselves creatively. Quite a large proportion has started to make art in which they address social issues. I think that's brilliant and I cannot understand why the traditional painters and sculptors do not see us as 'added value' to the artistic process. Maybe they are just afraid of change?

Reply
Shirley Smith
2/10/2018 10:28:54

The age old question!
I wondered last night how your local society would classify some of the major works of art by current artists who are definitely regarded as artists! Eg Grayson Perry's tapestries, or Cornelia Parker's " Magna Carter- An Embroidery"..

Reply
Jessica Grimm link
2/10/2018 18:12:13

Good question Shirley! I had provided links to the websites of Jess de Wahls and Victoria Matthewson. I don't think they even looked...

Reply
Lena
5/10/2018 22:23:12

Oh what a clusterfuck, and such narrowminded people! I hope you can find another way to get that art-classification.

Reply
Jessica Grimm link
6/10/2018 11:15:27

Me too, Lena!

Reply



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